Stone to Steel

About this Sculpture

  • Artist: Terry Westra
  • Medium: Stone and Steel
  • Size: 48" x 10" x 48"

Terry Westra’s first sculpture was created using pipes from his dock. After inheriting his father’s welding equipment, he taught himself to weld—and never stopped. His son has since followed in his footsteps, also creating art from scrap metal.

While living in Grand Rapids in the 1970s, Westra witnessed the installation of La Grande Vitesse by Alexander Calder. Calder’s work inspired him to create his first sculptures, mobiles, and stabiles.

One of Westra’s favorite parts of the creative process? Visiting local scrap yards. He often found unexpected inspiration in discarded objects, discovering unique textures, surfaces, and forms that would become central to his work. He embraced the idea that “scrap is beautiful,” a phrase coined by Louis Padnos of Louis Padnos Iron and Metal Co., and it became his personal mantra.

Today, Westra builds what he calls metal collages—works constructed from pieces and shapes carefully selected from his own ever-growing scrap pile.

The challenges of bringing together a number of scraps to create a piece that works as a whole is difficult yet satisfying to Westra. “A piece of metal has to talk to me,” he says. Only then does it become part of something new.

174 Center St., Douglas, MI 49406

Walk around the sculpture.

Westra designed this piece with both a front and back in mind. On the front side, you’ll notice two distinct forms. Can you identify the two geometric shapes and the two natural ones?

The circle and the long lines are hard-edged with no variations. The stone and the molten steel on the three rods appear softer with random movement.

 

Step closer to the sculpture.

Notice the colors. Some of the same colors appear in the stone and the steel, yet have different qualities.

The stone has a layered, watercolor-like effect, whereas the steel’s color appears more opaque and solid.

 

Now step back.

Observe how the materials are put together and overlap. The stone peeks out from the steel circle and, from the side, the circle reveals open space behind the stone.

Why do you think Westra assembled it this way?